What was it like meeting with Eli? How did he pitch it to you? Was it an immediate “Yes”? Talk a little bit about the genesis of how you got involved. But in terms of the big picture there was no like, “Oh that scene got cut,” or, “Maybe this should go here,” really. We could rehearse the scenes and they could talk about camera angles, etc. It was also a way for Eli and the cameraman, the cinematographer, to work out their shots.

Because there was a lot of choreography, there’s like this musical chairs during the seduction scene, we had to work through the violence, and while we were rehearsing the scenes the dialogue was getting tweaked. We rehearsed so much that basically we were all off book and it basically turned into a play. If anything, it was we rehearsed for 4 or 5 days in the house. Is that uncomfortable to film? Because you’re really tied up.įrom when you got the project and when you met with Eli to what people are gonna see on screen, how much changed along the way? There’s a lot of this film that you’re tied up, that you’re sort of in captivity. Was that the take that you asked to redo, was that the one that was used? You’re like screaming, it’s a really good moment. I don’t wanna get too spoilery, but you’re really putting it out there.

we shot it once at the end of the night and I asked to shoot it again and then Eli was cool enough to do that. Coming to mind, the character that I play – Evan – in a particular moment, he thinks he’s going to die, that the girls are gonna kill him, and he basically pleads for his life kind of saying, “Why? Why? You did this to me!” It’s his kind of plea, his aria of self-defense. When you think back on the making of the film, is there a day or two that you’ll always remember, like a memorable moment? As it turns out, he failed that test spectacularly, and Genesis and Bel chase him with a gun, threaten to force him to come clean with his wife on FaceTime, and consider their own death penalty for his acts.Collider: So let’s jump into why I get to talk to you today. But he finally eventually agrees to a threesome in the shower. When they put the moves on him, Evan initially spurns their advances. Genesis (Lorenza Izzo, Roth’s wife) and Bel (Ana de Armas) are two comely strangers who are dropped off at the wrong house, and Evan offers to help, be it getting them an Uber or drying their wet clothes. Inspired by 1977’s Death Game, Knock Knock casts the actor as Evan Webber, a seemingly good-hearted architect whose family is away for the weekend when he hears a knock at the door. If only rabbit stew was the worst thing Keanu Reeves’ character had to face. Because if someone had the mind to, they could just post it on social media and everyone in the world would see it forever.” “Whatever you do, whatever transgressions are in your own home, are no longer in your own home. “We always saw this as Fatal Attraction for the Millennial generation, where there is nothing private anymore,” Roth says. So director Eli Roth needed his new psychological thriller Knock Knock (opens Friday in select cities, including New York, Philadelphia, Atlanta and Phoenix, and on demand) to hit home in a much bolder, more torturous fashion for its straying married man. In the 1980s, the consequences of an illicit affair could involve a boiling bunny.īut this is the 21st century, where one unfortunate Facebook photo can ruin a person's life.

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